jascure.blogg.se

when Cakewalk (I mean the company) was closed down by Gibson, what was it, 2015? Somewhere there. If I were forced to leave S1 for some reason, I would probably go with a combo of Reaper and Mixbus or do a Hackintosh system and go LUNA.I've been a Cakewalk Sonar/Pro Audio user since 1998 up until. I am currently migrating to a hybrid S1/Mixbus approach.

I have no desire to get on-board with Avid and their ridiculous PT licensing schemes. (Fun fact: Studio One was actually started by former Cubase developers so they are very similar in some ways.) S1 is no slouch in that area, but it doesn't compare to Cubase when it comes to MIDI. Is there still a lot of work to be done? Just move it over to S1 and start the overdub/mixing over from scratch and use those as the learning tool for S1.Ĭubase has been around for a long long time too and is considered by quite a few S1 users who switched getting into the realm of "bloatware." But, it does have a very very robust MIDI implementation. Is it almost done? Maybe just hang onto SONAR and finish it up there. I just had to decide where I was with each song. I seriously doubt it will be any different for any DAW you decide to move to. So, no your automation will not transfer over and of course any SONAR-only plugins will have to be replaced and all other plugins re-applied restoring your presets. To get your projects over into Studio One you will have to either export all your stems without any effects (save your effects presets first) and start over or export your stems with all your automation and effects bounced to new tracks. No incentive really for the company to move forward with it AT ALL and if the venture capital money dried-up, SONAR would be kicked to the curb yet again. When I heard SONAR was acquired by another company I actually had a glimmer of hope that my investment was not all for naught, but when I saw the business model for it (free software to entice you to use their REAL product.